Showing posts with label detective novels. Show all posts
Showing posts with label detective novels. Show all posts

Wednesday, October 3, 2007

The Tin Roof Blowdown – James Lee Burke


The overwhelmingly melancholy tone of James Lee Burke’s latest novel, The Tin Roof Blowdown, seems especially apt given both its subject matter, the destruction of New Orleans, and the late middle age of his protagonist, Dave Robicheaux. Set in the aftermath of Hurricane Katrina, a natural phenomenon that served to reveal government indifference to the plight of the poor, the selfishness, brutality and callousness of the citizenry, and the noblest responses humanity is capable of, the novel explores the themes typical of Burke’s works: greed, depravity, violence, and the always tantalizing possibility of redemption.


Burke is at his narrative best, telling a story that begins with a seemingly routine looting of a flood-ravaged home by four black men, Bertrand and Eddy Melanchon, their cousin Andre Rochon, and Rochon’s nephew, Kevin. However, owing to both the ownership of the house and what has been stolen, as well as a sudden explosion of violence, the crime turns out to be anything but routine, and has far-reaching consequences for all of the story’s principals: an insurance adjuster, Otis Baylor, whose daughter Thelma previously suffered a traumatizing assault; the wife of the adjuster, Melanie; Dave’s longtime friend Clete Purcell as well as Dave and his family – wife Molly and daughter Alafair.


The usual masterful elements of Burke’s plot and characterization are present in this engrossing tale, but there is also something more: the pervasive imagery of death and mortality. There is, for all intents and purposes, the death of New Orleans, the great city which holds the key to much of Dave’s past and identity. As well, in addition to graphic depictions of violence and death, there is a new element: a distinct sense of Dave’s mortality. Throughout the entire series of Robicheaux novels, readers have always understood the precariousness of his existence arising from the war between his self-destructive tendencies and his nobler impulses, as well as the violent world he inhabits as a law-enforcement officer. This time, however, there are more overt musings on time winding down. Consider the following passage, as Clete tells Dave about a dream he had:

I was walking in a woods and I could smell fall in the air. There were leaves and mushrooms all over the ground, and air vines were hanging from the trees. When I came out of the woods, you were standing on the edge of a stream with a suitcase by your foot, like you were about to go on a trip. You said, ‘You walked over a grave, Clete. Didn’t you see it?’ Then you waded into the water.

The connotation of his dream made something drop in my chest, like a stone tumbling down a wall.

‘What do you think it means?’ he said.

‘Nothing,’ I said. ‘Dreams are just dreams.’

Throughout his entire writing career, James Lee Burke has required that his readers confront the realities of life, both bad and good. Acknowledging the finitude of life is just one more of those realities, but one cannot help but wonder if the author is also telling us about his plans for the literary fate of his aging protagonist, Dave Robicheaux.

Friday, September 14, 2007

The Overlook – Michael Connelly



Although appreciably shorter than previous installments, Michael Connelly’s latest Harry Bosch novel makes for the usual compelling reading. Originally published as a sixteen-part serial for the New York Times Magazine, and then expanded for publication, The Overlook begins routinely enough, with the murder of Dr. Stanley Kent, a medical physicist with access to cesium, used in both cancer treatment and as a key radioactive component of the so-called “dirty bomb.” Followup investigation finds Kent’s wife, Alicia, naked and hog-tied on the matrimonial bed, and what she ultimately reveals about her captivity sends the FBI’s Homeland Security Unit into immediate action, thereby bringing about Harry’s reunion with his old love interest, Rachel Walling.

The plot contains the twists and turns one expects from Michael Connelly, with a resolution that quite frankly, I did not anticipate, despite some cleverly planted clues. But as always, the real pleasure for me is the characterization of Harry Bosch. Although he is getting older (in this novel he is 56), his instincts continue to serve him well. It is these instincts that bring him into a seemingly perennial opposition to his superiors, but this time out his rebellion takes a slightly less conspicuous form; perhaps he has learned that outright defiance has costs he is no longer willing to bear. Another interesting development is the fact that he has a new, much younger partner, Ignacio Ferras, who, as the novel progresses, becomes increasing nervous about his prospects for career longevity owing to Harry’s unorthodox practices, and at one point declares that their partnership is not working. Needless to say, he changes his opinion by the end of the novel.

The Overlook works effectively on the fears of terrorism that began with the 9/11 attacks, but interestingly enough, while all other law enforcement figures are busy trying to track down the missing cesium, Harry remains true to his calling and to his vision of what it means to be a homicide detective. His credo is a simple one: the investigator has to speak for those who no longer can, and this pursuit of justice in apprehending those responsible for Stanley Kent’s murder never becomes secondary to concerns about terrorist attacks.

Fans of Michael Connelly will not be disappointed in this latest episode in Harry’s life, although they may well lament the fact that their reading pleasure is limited to only 225 pages this time out.

Sunday, July 15, 2007

Author Recommendation #3 – James Lee Burke




My third summer reading selection, James Lee Burke and his Dave Robicheaux series, is by far the darkest. As an author, Burke has all of the attributes of both Colin Dexter and Michael Connelly, but his explorations of character, informed by questions of good and evil and the pursuit of redemption, often make for some very dark excursions into the human condition.

Like Dexter and Connelly’s protagonists, Dave ages throughout the series; while originally a member of the New Orleans Police Department, for most of the novels he has been a detective in New Iberia Parish. His longtime friend and former partner, Cleetus Purcell, appears in most of the series, and while the latter is capable of some truly shocking and violent behaviour, his excesses are, in most ways, no greater than those of Robicheaux, something that Dave never seems to realize. Their kindred natures make it clear why their friendship has endured for so long.

There have been many losses and much pain in Dave’s life over the years. I have frequently thought his behaviour to be masochistic; he often brings trouble to himself and his family when it can so easily be avoided. However, I now realize he is partly motivated by an unquenchable thirst for justice, the achievement of which, I suspect, offers the hope of redemption for this deeply flawed character. Never are we more aware of the duality of human nature than when we experience Robicheaux’s character and world.

As with my other selections, I strongly advise that you read the novels sequentially in order to truly understand the character. I will give away only a few specific details by revealing that some of Dave’s spiritual and psychological problems stem from the fact that his mother abandoned him when he was young; in fact, she is the subject of one of the later books; as well, frequent references to experiences in Vietnam suggest that tragic misadventure as another source of his malaise. And then there is his ongoing battle with alcoholism, surely not unrelated to the aforementioned factors.

If you are looking for a mildly diverting reading experience, James Lee Burke will not provide it. In many ways, his themes and his writing approach literary status. Despite being a popular writer, he is not afraid to deal with some harsh truths that many of us may wish never to confront.

If you are interested in pursuing this author, please visit the following website for a bibliography of his work: http://www.jamesleeburke.com/bibliography.html

You won’t be disappointed with the work of James Lee Burke, but you may be profoundly disturbed by it.

Saturday, July 14, 2007

Author Recommendation #2


My next pick is American writer Michael Connelly. A former crime reporter for the L.A. Times, Connelly brings real authority to his writing about a netherworld that few of us, fortunately, will ever have contact with. Although he has written novels outside of the series, it is the Harry Bosch storylines where Connelly’s strengths are most apparent.

Like Colin Dexter’s creation, Inspector Morse, Harry Bosch is a man who ages as the series progresses, even to the point where he takes early retirement only to find, after about 3 years, that life as a private citizen does not afford the grim satisfactions to be derived from solving homicides. He therefore returns to the force and, as of his latest literary outing, is still going strong.

In addition to the strengths I praised in Colin Dexter’s work (please see earlier posting), two more aspects make Connelly’s creation particularly strong for me: first, Harry has a deep sense of and yearning for justice, the genesis of which we learn over several novels, and second, in the pursuit of that justice, he often has to run afoul of his superiors who, more times than not, are depicted as rather craven political creatures, more concerned about the optics than the truth, forsaking principle for expedience, not unlike the ‘bosses’ I encountered during my career in teaching. His sympathies, I think, are always with the underdog, and almost all homicide victims are underdogs to Harry, since they can no longer speak for themselves; Bosch embraces the detective’s credo that he now must speak for them, giving them one final show of respect by demonstrating that their lives had meaning by solving the circumstances of their deaths.

In his pursuit of justice Harry, like Inspector Morse, emerges as a flawed but very human character. He also frequently has to pay a high price for his ideals. I hope you enjoy his development as much as I have over the years.

If you are interested, please visit the following website that offers a Connelly bibliography: http://www.authorsontheweb.com/features/lists/li-connelly-michael.asp